Sunday, 31 March 2013

Adria Richards & DONGLEGATE - YouTube



Published on 25 Mar 2013
The story of how one womans offence at a private joke about a dongle cost one married man his job, and eventually the feminist who decided that the best way to counter this sexisim was to publicly tweet accusations.

Tuesday, 26 March 2013

In a Room Full of Naked Koreans, Margaret Cho's Body Is an Unwelcome Sight

In a Room Full of Naked Koreans, Margaret Cho's Body Is an Unwelcome Sight

In a Room Full of Naked Koreans, Margaret Cho's Body Is an Unwelcome Sight

Perhaps I do get stared at a lot because I am a heavily tattooed woman, but I am also a Korean woman, and I feel I have the right to be naked in the Korean spa with other Korean women. I don't feel shame that my skin is decorated. My tattoos are my glory. I am happy in my skin and I am not sure what to say when others are not happy with my skin.

I walked around from pool to pool, and I kept getting dirty looks from the ladies there. They would talk about me very negatively in Korean, and I just spoke loudly in Korean –- not back at them, but nicely –- saying "ahhh Jotah!" which means "this feels good" –- really at no one -– but just to show that I could understand what they were saying and they weren't getting away with anything.

Their intolerance viewing my nakedness –- as if it was some kind of an assault on their senses, like my ass was a weapon - made me furious in a way I can't really even express with words -– and that for me is quite impressive. This bitch always has some shit to say.

I guess it comes down to this -– I deserve better.

I brought the first Korean American family to television. I have influenced a generation of Asian American comedians, artists, musicians, actors, authors -– many, many people to do what they dreamed of doing, not letting their race and the lack of Asian Americans in the media stop them. If anything, I understand Korean culture better than most, because I have had to fight against much of its homophobia, sexism, racism –- all the while trying to maintain my fierce ethnic pride. I struggle with the language so that I can be better understood. I try to communicate my frustrations in Korean so that I can enhance my relationship with my identity, my family, my parents homeland.
I deserve to be naked if I want to.


jiraffer2 1 of 319 replies @Margaret Cho
Really? Poor rich woman can't get naked at the damn SPA when she is breaking her own cultural rules (however ludicrous they may be)??! Da fuk. I don't expect to go to a seder and eat pork and not make ppl uncomfortable. Or I'm just gonna get tattooed all over but you BETTER still bury me at the Jewish cemetery! I guess it's that attitude of "accept me or you're in the wrong" even though I am the one that is going against the rules and/or doing something that I KNOW makes you uncomfortable. Next time I go into a Muslim temple I'll go in without a headscarf, or I'll just head over to the Vatican wearing my fave tube top (take that! your rules are not MY rules!) see how they react... "I am NOT disrespecting! YOU are the judgmental ones!" This article makes no sense. Go to a NON Korean spa if you're so bothered and they will most likely not give a crap about your tattoos. Or do they not have those in LA?
(Or keep doing what you are doing with pride and maybe one day they will learn to be accepting, but don't be surprised/indignant when they react predictably.)
Sigh. Where's HamNo when you need him.


jiraffer2 and 6 more Also irksome is the fact that she exclaims: "I'm Margaret Cho!" as if any other plebeian is ok to suffer their fate at the hands of the intransigent Spa Masters but by virtue of her name alone she should be absolved? So not because judging tattooed ppl's bodies is wrong but because she is a celebrity? This is so wrong on so many levels. 

Tuesday, 19 March 2013

The Onion's apology for its Quvenzhané Wallis tweet – | guardian.co.uk

The Onion's apology for its Quvenzhané Wallis tweet – well, this is awkward


Apologising to Wallis over the C-word insult was right, but the unambivalence it required doesn't sit well with satire Jump to comments (532)
BEASTS OF THE SOUTHERN WILD
Quvenzhané Wallis in Beasts of the Southern Wild. The Onion tweet looked part of 'frat Hollywood asserting itself over a small black girl'. Photograph: Allstar/FOX SEARCHLIGHT PICTURES/Sportsphoto Ltd./Allstar
"Cunt" is an interesting word. I like it – it packs a lot of invective into one syllable and four letters. It's so powerful that the Guardian style guide says I can only use it surrounded by the protective pincers of quote marks. It's magnificently unpleasant, like a full grown tiger. And like a full grown tiger, I wouldn't let the C-word loose on a nine-year-old child, which is what the Onion did in an inexplicable Oscar night tweet (now heartily retracted and apologised for): "Everyone else seems afraid to say it, but that Quvenzhané Wallis seems kind of a cunt, right? #oscars2013"

After I'd had the best part of a day to consider, I think I sort of get how this joke was maybe supposed to work. The Onion was satirising the crassest sort of gossip hack, the kind of tattler who calls actresses hos and draws spunking cocks on their faces. There are two problems with that explanation, if it's even right. First, that it took me from when I first read the tweet just after I woke up until dinner time to hit on that reasoning – and compared with the mayfly life cycle of Twitter, that's enough time for mountains to rise up and be ground down to dust.

The second problem is that, even if the gag was meant to be a critique of celeb-hounding pop culture ("Hey, wouldn't it be exactly like a scandal sheet writer to call a nine-year-old a cunt!"), the Onion was still the one actually calling a nine-year-old a cunt. And in American English "cunt" has a particularly sexualised intent that makes it even more horrific when applied to a child. Call someone a "cunt" and you're calling them a vagina in the most reductive, misogynistic way: they're something weak, something to be penetrated. (How do I know that? Satire taught me, specifically the episode of Curb Your Enthusiasm where Larry unknowingly aims the C-word at a gay man.)

Consider that this happened in an evening when the Oscar host Seth MacFarlane cracked a gag that cast George Clooney as Humbert to Wallis's unwitting Lolita, and it starts to look less like a baffling lapse, and more like frat Hollywood asserting itself over a small black girl. You can act, the jokes imply; you can even be brilliant (as Wallis is in Beasts of the Southern Wild); you can be as cute as you like in your beautiful dress and your puppy-dog handbag, and we the Hollywood fraternity reserve the right to remind you that you are nothing but female, heading for a future where, six years from now, paps aim a long lens up your skirt and everyone calls you a slut because you didn't take the precaution of binding your legs together before getting out of a car.

When a particularly absurd headline comes up, it's routine to say that it could have come from the Onion, because the site's deadpan imitation of news hyperbole and prosaic life is so dead on. This time there was no space between the imitation and the real thing for laughter to fall into. That's one of the perils of parody – becoming what you were just pretending to be at first – but it's a peril that the Onion has dodged with amazing success in its first 25 years. Without explicitly espousing any political line or making any outright pronouncements, the Onion offered an implicit guarantee that laughing at its jokes might cause you a bit of uncomfortable self-awareness, but would never make you a bad person.

Often, that's because – like most good satire – the jokes have several sides to offer. Donald Trump Stares Forlornly at Tiny, Aged Penis in Mirror Before Putting on Clothes, Beginning Day starts out as a savage pillory of the business magnate and his genitals, but morphs into an oddly tender discourse on human decrepitude. You started reading because you hated Trump, you ended up feeling dimly sorry for him. See, you're not a monster. And you're also not Trump, so that's a double win. But there's no good side to laughing at sexualised insults aimed at an elementary schooler.

If that's where you get your lols, you're probably a supporting character in an episode of Law & Order: Special Victims Unit rather than an upstanding member of politely ironic society, which is why it's right that the Onion has said sorry and distanced itself wholly from the C-word tweet. The statement has done a lot to quell readers' anger, and I respect the editorial decision to make it. That's the last problem, though: by getting something so wrong, the Onion has had to state what it genuinely thinks is right. And being unambivalent is an awkward and ungainly circumstance for any satire to hem itself into.

Feminism & Comedy - Pia Glenn

Bill Maher Addresses Criticism for Sexist Remarks and False Equivalencie...



Published on 10 Mar 2012
As we've already discussed here, Bill Maher has become somewhat of a punching bag from both sides of the aisle over the last week or so, both for saying that liberals looked bad for not accepting Rush Limbaugh's "apology" and with the false equivalencies by the right, screaming that what he said about Sarah Palin is somehow the equivalent of what Rush Limbaugh did with his attack on Georgetown University student Sandra Fluke.

On this Friday night's Real Time on HBO, Maher addressed both, starting with his criticism from the left. MAHER: Let me tell you something. I got crap from both the left and the right this week because... okay... let me address the left first, because I found this more disheartening. They were very mad at me because I tweeted that people like Rush Limbaugh, who I absolutely disagree with, I've never said a good word about him. I did a whole monologue on what an asshole he was only a week ago. But I said, I don't like it that people are made to disappear when they say something, or people try to make them disappear when they say something you don't like. That's America. Sometimes you're made to feel uncomfortable, okay? I mean, can we put this in perspective? No one died. A guy made a bad joke, a bad joke because a., it was a disgusting sentiment that he was evoking and also because it wasn't even a joke. He's a stupid fat f**k whose not funny and it annoys me that... it annoys me that people people who cannot keep two disparate thoughts in their own mind, lump me in together with him and say I'm defending him. I'm not defending him. I'm defending living in a country where people don't have to be afraid that they might go out of the boundaries for one minute. Do we all want to be talking like White House spokesman?

Okay, fair enough on a few points like defending free speech and the fact that it's unfair to lump the two of you together. But I'll make a few points in rebuttal. First of all, you did not just say that you didn't like the idea of people pushing to get Limbaugh off the air. You said liberals looked bad for not accepting his apology. What Rush Limbaugh did was not an apology.

Thursday, 14 March 2013

Wednesday, 13 March 2013

Clarkson does what we no longer dare | Herald Sun Andrew Bolt Blog

Clarkson does what we no longer dare | Herald Sun Andrew Bolt Blog



Nick Cater says we need Jeremy Clarkson on TV here because we’re too scared to make his kind of jokes ourselves:


YOU only have to read The Sydney Morning Herald to see how easy it has become to take offence and how difficult it is to crack a joke. On Friday the tabloid devoted two mirthless pages to the semantic crimes of Jeremy Clarkson, who was reprimanded for sexist, racist and homophobic humour.

Clarkson’s most egregious expressions were published in a handy list. He described one car as “very ginger beer”, which, as you won’t be amused to learn, is slang for a gentleman who is good with colours. He declared Romania was “Borat country, with gypsies and Russian playboys”, and proposed a design for “a quintessentially German car” with Hitler-salute turn signals and a “satnav that only goes to Poland”.
None of that should be considered the least bit funny; we can be sure that these are verbal blunders with no satirical or ironic intent because they are printed under the headline “Foot in mouth”. Nanny blogger Mia Freedman wagged a finger in all the right places, telling the Herald that Clarkson and his fellow Top Gear presenters were “dialling up sexism under the guise of ‘aren’t we being naughty boys’.” Indeed they are, Ms Freedman, and therein lies the program’s charm.

Australians, as we know, don’t make anything any more. We can’t even make people wince in a way that once came naturally; we are forced to import British television programs to satisfy our need for umbrage.

A generation ago, Australia was a net exporter of semantic subversion. The trade peaked in the early 1970s when The Adventures of Barry McKenzie introduced the upright Poms to the one-eyed trouser snake…

A year earlier, Richard Neville, then editor of the satirical magazine Oz, was charged with “conspiring to produce a magazine containing divers lewd, indecent and sexually perverted articles, drawings and illustrations”.
But now? In the age which gave us Nicola Roxon, with her proposed laws against giving “offence”?
Politics has become a bland and humourless business in these cheerless, roxinated times. It is an offence not only to crack a joke, but to be in the proximity of the cracker. As The Australian reported in October: “Treasurer Wayne Swan admitted poor judgment yesterday for not objecting soon enough to an offensive joke.”